Friday, October 24, 2014
Thursday, May 8, 2014
Flesh for Frankenstein & Blood for Dracula (a.k.a. Andy Warhol's Frankenstein & Andy Warhol's Dracula) (1974)
It is advisable to watch Flesh for Frankenstein and Blood for Dracula back-to-back if possible. It is how they were made and both have the same main three actors (Udo Kier, Joe Dallesandro, Arno Juerging) in similar roles - Kier as Dr. Frankenstein, then Dracula; Dallesandro as the proletariat servant-gigolo, and Juerging as Frankenstein and Dracula's assistants. Although the films appear to take place in different time periods, they also seem to be similar in atmosphere...and that atmosphere is bizarre, trashy, and campy. These are not adaptations to watch if you are looking for faithful adaptations of Frankenstein or Dracula. Both of these films seem to take place in some realm either before or after those stories, or almost a netherworld just outside of the original stories. It is a world that takes some adjustment because while it is laughable in Frankenstein that an actor with an Italian accent and Joe Dallesandro with his heavy New York accent are supposed to be lifelong friends who grew up together in some European countryside; by the time you get to Dracula you just kind of have to accept that Dallesandro is going to stick out like a sore thumb. Udo Kier takes some adjusting as well, although he fits into these films easier than Dallesandro, especially Dracula. For at least the first half-hour of Frankenstein, I could not shake the notion that Tommy Wiseau has been fooling us all along and is just doing a very extended impersonation of a young Udo Kier in Frankenstein. Except Udo Kier actually seems to be mentally present in his scenes, and not in space like Wiseau.