Showing posts with label norwegian horror. Show all posts
Showing posts with label norwegian horror. Show all posts

Tuesday, April 8, 2014

Found Footage Horror Project: Rec 2, Troll Hunter, Apollo 18

In the Spring of 2012, I completed an independent study on Found Footage Horror. Specifically, Found Footage Horror that dealt with diseases, infections, zombies, and conspiracies, since the subgenre has become so huge these past few years that it has its own little subsections of threats. Since the only films academics have written about so far are Cloverfield and Diary of the Dead, I had to piece together my own readings much of the time. The response papers may evolve a little bit between that and the decision of my professor and I to steer away from trying to connect these films to post-9/11 horror.

My response paper on Rec 2, Troll Hunter, and Apollo 18 is below This was written during the time of the quarter where I was becoming more pressed for time and burnt out and frustrated not just with school, but with this actual project. Rec 2 caused me to run through a gamut of emotions from laughter to sadness to anger, because I think this could be a good series if the makers actually gave a shit. Apollo 18 in particular was pretty awful and I fast-forwarded through at least half of it. This was one of the impetus' (impetii?) for my professor to direct me towards the earlier Found Footage Horror films for my final paper.




Directors Paco Plaza and Jaume Belaguero appear to spend a lot of time devoted to making sure the actual temporal continuity of the Rec series is correct, but at the sacrifice of everything else*. They appear to want the entire series to take place in the space of one night. The first two films take place at the same apartment building in Barcelona, and it is not until the third film that the location is changed. Rec 2 is a largely silly film that answers no questions posed in the first, and messes with or changes many of the ideas put forth in the first film. This seems to be a mockery. At the end of the film it is still unknown as to who found all of this footage and why it was released. Rec 2 is almost two films in one. The first half focuses on a SWAT team with helmet cameras plus one cameraman who go into the quarantined apartment building with a Ministry of Health member thinking that they are there to try to find survivors. The Ministry of Health member is actually a priest looking for a vial of the blood of the possessed girl in the attic at the end of the first film. Her blood can create an antidote, although the virus is not rabies, it is actually demonic possession. This part of the film seems to become one homage on top of another – Aliens, The Thing, any given demonic possession or zombie film. There is very little obvious editing throughout the first half of the film, perhaps because there are so many cameras involved. The second half of the film follows a group of obnoxious pre-adolescents with a video camera (running on half battery power when they are introduced) as they follow the father of the sick little girl and a firefighter who drove the truck belonging to the two firefighters, all from the first film. The father and firefighter manage to sneak into the building from the sewer, and the kids follow, but they are soon sealed into the building as the police are welding the entrances and exits from the building to the sewer shut. As a result, the SWAT team and the second group soon meet in the building. The most amusing thing about Plaza and Belaguero is that they have no qualms of portraying children terribly and in an unsentimental manner, although this is nothing new in Spanish horror**. The second half of the film features more editing via the kids’ video camera frequently having to be turned off to conserve battery power, and it eventually dying altogether.
                

Troll Hunter, on the other hand, appears to be pretty open about their mockery of found footage horror. It is likely the first film I have watched in this study that is clear in every aspect. The footage was anonymously sent to the studio that produced Troll Hunter, all 283 minutes of it, which was then edited by the studio. The cuts are noticeable. Troll Hunter seems to double as a parody of found footage horror films and as a film promoting tourism in Norway. Its premise is that three student filmmakers have disappeared after following around a troll hunter. There is frequent running through the woods, night vision, and fallen cameras. The footage appears to have been released to reveal that there are trolls in Norway and to aid in finding the three filmmakers – the two women appear to have been grabbed by the government, and the director may have been hit by an 18-wheeler while running away from government agents. The only mystery to the film is whether or not Hans the troll hunter was the one who betrayed them.
                

Apollo 18 confused its chronology within the first five minutes of the film. The footage processed in post-production to look as if it came from the early 1970s. While The Blair Witch Project was genuinely shot on older cameras, Apollo 18 genuinely looks like something filtered through a video version of the Instagram app. Apollo 18 features frequent voiceovers. It is a good example of asynchronous sound, but beyond that, it is a hard movie to watch. It is not very interesting, and seems made to appeal to people who are into moon landing conspiracies. I fast-forwarded through much of it and have no desire to look at or study it further.

Postscripts 2014:
* I have come to the conclusion that Plaza and Belaguero are trolling everyone with the Rec series. After my disappointment in re-watching Rec and Rec 2 for this project, I watched Rec 3 in the Fall of 2012 and rather enjoyed it. Rec 3 drops the "found footage" premise 20 minutes into the film and moves into a straight and rather fun narrative. Rec 3 manages to connect to the first two films rather loosely, but cleverly manages not to dwell on it, although taking place the same night as the first two films.
**See also Plaza and Belaguero's X-Mas Tale (an older review of this film will be posted soon enough), Who Can Kill a Child?